Compulsory License for Making and Distributing Phonorecords 2
identifiable reproduction by or for a recipient, regardless of whether the digital transmission is also
a public performance of the sound recording or any underlying nondramatic musical work. The
reproduction must be sufficiently permanent or stable to permit to be perceived, reproduced, or
otherwise communicated for a period of more than transitory duration. The reproduction may be
permanent or available to the recipient for a limited period of time or for a specified number of per-
formances. A DPD includes all phonorecords that are made for the purpose of making the delivery.
Does a Compulsory License Cover Making and Reproducing a Sound Recording?
No. Section 115 does not cover sound recordings. Rather, it covers the reproduction and distribution
of nondramatic musical compositions.
A musical composition and a sound recording are two separate works for copyright purposes.
The author of a musical composition is generally the composer and any lyricist. A sound recording,
on the other hand, is the fixation of a series of musical spoken, or other sounds, often of a musical
composition. The author of a sound recording is generally the performer(s) whose performance is
fixed and the producer who captures and processes the performance to make the final recording.
Licenses generally must be obtained separately from the copyright owners of the sound recording
and the underlying musical composition. Copyright in a sound recording is not the same as, or a
substitute for, copyright in the underlying musical composition.
For more general information about these works, see Copyright Registration for Musical Composi-
tions (
Circular 50), Copyright Registration for Sound Recordings (Circular 56), and Copyright Registra-
tion of Musical Compositions and Sound Recordings (
Circular 56a).
Must I Use a Compulsory License?
No. Anyone wishing to make and distribute phonorecords of a nondramatic musical work can nego-
tiate directly with the copyright owner or his or her agent. But if the copyright owner is unwilling to
negotiate, or if the copyright owner cannot be contacted, the person intending to record the work or
make a DPD can use the compulsory license.
When Can a Compulsory License Be Used?
A compulsory license is available to anyone as soon as phonorecords of a nondramatic musical work
have been distributed to the public in the United States and its territories under the authority of the
copyright owner.
What Can I Do With a Compulsory License?
If you meet the statutory requirements, including payment of required royalties, you may engage in
the following activities with a compulsory license:
• Make and distribute phonorecords of the eligible nondramatic musical work, where the pri-
mary purpose is distribution to the public for private use, including by DPD.